Niggaz jaws is like laws, don't easy to break 'em When you a problem it's harder to keep them from hatin' This ain't Kiss talkin' neither, I'm speakin' for Jason I love y'all tho, my niggaz for even relatin' It's ironic, but the God was beefin' with Satan To all my real niggaz, sorry for keepin' you waitin' I don't spit bars, I distribute the crack fluidĪll I'm really waitin' is for niggaz to act stupid I send my young niggaz to do it, in the black Buick Walkin' 'round town, frontin' like they got millzīut my strength in the hood outruns my wealthīut you still might catch Kiss in some hot wheels So you should just imagine how the Ak feel So I can just imagine how ya pop's feel, damn Stick it up till not a crumb on the strip left Hustle hard till none of them bricks left Hole in the head, slashed or the split chest One hand wash the other, both wash the faceĪnd I had crack so much, it's hard to aceģ8 revolver flow, it's hard to trace, whatįuck that, pop off till nothin' in the clip left I'm a man first, tired of punchin' niggaz Now I ain't gotta spit, I could cough and still eat ya So when it's over, nigga, are you a thug or a dummy?
They act like it's all love, only love is your money These fake rappers gettin' by with these hell of a gimmicks You look a nigga in the eye, you could tell if he tinted My time is now and it's gonna be up in a minute Album DescriptionUh, I learnt the game, I know what I want and I'm in it See more Your browser does not support the audio element. Provided you can stomach the Will Smith version of Cassius Clay proclaiming "The champ is here!" about every 30 seconds (Jada's cackle could've been kept in check a little more, too), you should find that it's actually superior to this fine record. For further proof, listeners looking to go deeper are strongly advised to seek out The Champ Is Here, a teaser mix presented by Big Mike and Green Lantern. No matter the number of bright moments, you can't help but feel that Jadakiss has his best days ahead of him. These issues aside, Jadakiss makes good on his promise to become a rounded lyricist and receives some valuable help in the form of tight production work from a handful of pros - surprisingly enough, Swizz Beatz's work on "Real Hip Hop" tops anything that producer did for Cassidy's debut, and the Red Spyda-manned title track (bizarrely tucked near the end) is Jadakiss' most vicious track yet. This, along with a particularly ill-suited "soft and smooth track for the ladies" featuring a carted-in Mariah Carey as well as a too-familiar-sounding Scott Storch production, is thankfully the only outright blights on an otherwise satisfactory showing. The most startling thing about Kiss of Death is that Jadakiss dumped a bunch of Neptunes productions and kept only "Hot Sauce to Go," one of the record's poorest tracks.
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